7/2/2023 0 Comments Sorry to bother you film![]() ![]() His job as a power caller is to help sell the labor that WorryFree is serving up, something he’s highly successful at thanks to his “white voice.” Before long he catches the eye of Lift, who has another role in mind for him. In other words, it’s modern-day indentured labor.Ĭash is desperate enough to sell out his organizing co-workers, crossing the picket line to go to his fancy new job. In turn, they can stop worrying about things like rent and car payments the company guarantees bunk-style housing and lousy-looking meals that WorryFree customers insist are delicious. WorryFree - led by erratic, charismatic, coke-snorting, cheerfully exploitative CEO Steve Lift ( Armie Hammer) - encourages people facing financial difficulty to sign a lifetime labor contract in which they’ll work for the company for the rest of their lives. ![]() The power callers are parceling out what the parent company WorryFree is selling. Cash starts landing sale after sale, which means even when the telemarketers decide to unionize, led by Squeeze ( Steven Yeun), he gets promoted up the ladder to become a “power caller.” Lakeith Stanfield in Sorry to Bother You Doug Emmett / Sundance Institute Cash lands a job in telemarketing at a company called RegalView but is terrible at it, until a coworker named Langston ( Danny Glover) tells him people will respond much better if he uses his “white voice.” His artist girlfriend Detroit ( Tessa Thompson) twirls a sign on a street corner to make ends meet. ![]() Vox-mark vox-mark vox-mark vox-mark vox-mark Sorry to Bother You is about a down-and-out Oaklander trying to get byĬassius “Cash” Green ( Lakeith Stanfield) - the character names in this film are intentionally on the nose - is an Oakland native living in the garage at his uncle’s house ( Terry Crews) and struggling to get by, wondering if life really has any meaning at all or is just a pointless grind. Careening from office comedy to something like horror, Sorry to Bother You is weird and funny and unsettling, and not quite like anything I’ve seen before. It’s about exploitation and profit, about the fetishization of black bodies and the indignities of code-switching, about giving up your dignity and trying to find love. Sorry to Bother You - which brought down the house at its Sundance premiere - is set in a near-future (or maybe alternate-future) Oakland, with only a few dystopic distinctions.Īs with last year’s Get Out, the movie’s genius lies not so much in how it reflects reality but in how it interprets it. It’s a live-wire comedy with a social conscience, a commentary on race, labor, and American capitalism that veers in so many directions that it’s best to just strap in and let it take you where it wants you to go. Look up “bonkers” in any good dictionary and the first entry should be Sorry to Bother You, the loony directorial debut from rapper Boots Riley (best known as frontman of political hip-hop group The Coup). ![]()
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